2015 Publisher News: March What’s Happening at WEE… Meeting the staff, new collections

Hi all, You may have noticed that we have not put out any new releases in March. That was because I was off for a few weeks visiting the US, where I got to meet two of my very long-time authors: Robert Beers and Will Greenway and two of my cover artists: Laura Shinn and Josh Shinn and catch up with our editor and print formatter (my daughter) Jenna Cummins. It was great, they are all as wonderful in person…

2014 Publisher News: January – Update

Hi everyone! It has been a while since I have updated the Writers Exchange blog, I have to admit, I am not too good as a blogger:) But I am hoping to change that. So I thought I'd start by updating you all on a few things coming up in 2014 that I know about currently. I would also like to create a bit more community around Writers Exchange, so if anyone has some suggestions on how they would like…
Writing: Scene business, style, and dialogue by Will Greenway

Scene business, style, and dialogue by Will Greenway

Scene business, style, and dialogue By Will Greenway Viewpoint is one the most important aspects of writing. It is the eye through which readers see your work. Creating a strong viewpoint "presence" within your story relies on several related narrative techniques. One of the most important is the handling of character interactions and specifically dialogue. Related to dialogue, one of the most common problems in beginning writing is the "talking head" syndrome. Essentially, characters in a scene begin talking, and…
World Building, Not Just for Genre Writers

World Building, Not Just for Genre Writers by Will Greenway

Writing: World Building, not just for genre writers By Will Greenway Overview When we see the term "world building", many writers tend to associate this concept with genre fiction, specifically science fiction, fantasy, and often horror as well.  However, building a world is something that all fiction writers must do. Simply because your world is closer to the "real world" in terms of conventions does not mean that there isn't still work to be done. When we take the idea…
Writing: Dynamic Beginnings (2 of 2) by Will Greenway

Writing: Dynamic Beginnings (2 of 2) by Will Greenway

Dynamic Beginnings (2 of 2) By Will Greenway If you read the material on Dynamic Beginnings and the 8 rules for starting a novel or short story, this article contains additional "starter" tips and some concrete examples for launching stories. One mechanism that is good for teaching writing self-discipline and makes for an evocative story opening is the six-line opener paragraph. The goal of the opener paragraph is to hook the reader and do most of the things talked about…
Writing: Dynamic Beginnings (1 of 2) by Will Greenway

How To Write Dynamic Beginnings (1 of 2) by Will Greenway

Dynamic Beginnings (1 of 2) By Will Greenway The opening of your novel or short story is crucial. It must be well written, catchy, and evocative. Sometimes, no matter how hard you try, your opening doesn't move the story forward in the proper manner. This may not be a shortcoming in your writing ability, but a reflection of an improperly framed narrative. Many people think of their stories as written in stone. In their minds, the narrative doesn't exist outside…